Rajendra Singh, Girish Kasaravalli, Satyamurthy Anandur, Sushant Mishra, T.V. Hiren Gohain, Dhiru Bhuyan, Pabitra Kumar Deka, Prafulla Dutta, Bobbeeta Sarma Ashok Dhareshwar, David Windsor Anjali Monteiro at the TISS, Sudhir Nandgaonkar and the Prabhat Chitra Mandal, S. Mihir Bhattacharya and the Department of Film Studies Jadavpur University, Nandinee Bandyopadhyay, Jhuma Basak P. A special thank you to colleagues at the Centre for the Study of Culture and Society, Bangalore, in particular to Tejaswini Niranjana for her support and encouragement, Geeta Kapur, Vivan Sundaram, Nasreen Munni Kabir, Prof. I could not even begin to list the many friends who extended their hospitality to me, those who sent me books and references or put me in touch with others who could help. The already complicated problems of gathering information across the expanse of India, the absence of established networks and the, at times, bewildering logistics of simple communication systems, always and in every instance means that in India, people depend on other people, friends and colleagues, families, associates, relatives, acquaintances, to manage - even to set up - functioning systems in lieu of those that do not work. Nair, Sibaji Bandyopadhyay, Anustup Basu, Shivarama Padikkal, ‘Filmnews’ Anandan, Venkatesh Chakravarthy, V. Ranga Rao, Geeta Kapur, Harish Raghuvanshi, P. Special thanks go to Nasreen Munni Kabir, M. Most of them worked on it in their spare time, while holding down full-time jobs as bureaucrats, teachers, journalists or researchers in areas other than the cinema, which makes their involvement, their labour and their patience all the more valuable.Ī number of people have graciously and generously taken the time to give us advice and to comment on parts of the manuscript. 572Īcknowledgements We gratefully acknowledge the financial and institutional assistance of the UNESCO Participation Programme (1989) the Indian Council for Social Science Research, New Delhi the Charles Wallace (India) Trust Tata Institute of Social Sciences (Bombay), and Centre for the Study of Culture & Society, Bangalore.Ī special thank you, at the end of a long journey, to all the contributors of this book. US Cataloguing data available from the Library of Congress.Īcknowledgments. A catalogue record for this book is available from the British Library. Kosambi.īritish Library Cataloguing in Publication Data. The authors respectfully dedicate this book to the memory of D. Reproduced, with grateful thanks, courtesy of M.
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Its activities include the National Film and Television Archive the National Film Theatre the Museum of the Moving Image the London Film Festival the production and distribution of film and video funding and support for regional activities Library and Information Services Stills, Posters and Design Research, Publishing and Education and the monthly Sight and Sound magazine.Ĭopyright © Ashish Rajadhyaksha and Paul Willemen 1994 All rights reservedĬover: From the exhibition Culture of the Streets (1981) by M. The British Film Institute exists to encourage the development of film, television and video in the United Kingdom, and to promote knowledge, understanding and enjoyment of the culture of the moving image. OXFORD UNIVERSITY PRESS New Delhi 1998 Produced in association with the National Film Achive of Indiaįirst published in 1994 by the British Film Institute 21 Stephen Street, London W1P 1PL and Oxford University Press YMCA Library Building, Jai Singh Road Post Box 43, New Delhi 110001 ASHISH RAJ A D H YAKS H A / P AU L WILLE ME N
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